O ctobers guest artist, once again, brought something different for us to look at. Brian Dickinson is an Artist in stained glass. He brought along several examples of his work and proved that it is indeed Art, even if in a form that we don’t often consider.
The Open Arts Trail, September 23rd and 24th 2017
A number of our members took part in the North Warwickshire Art Trail. In spite of difficulties, such as a change of venue at the very last moment, things came together and the Guild put on a good display and attracted some attention for the quality of the art exhibited.
Monday 4th September 2017
I n September we held another of our sketching evenings. Several objects were available to sketch, but it was just two of them that were chosen.
A s usual there was a variety of media in use along with some different styles.
A n enjoyable evening, with some accomplished results. This in spite of the fact that neither object was particularly simple.
Monday 7th August 2017
O n the first Monday in August we welcomed Jennifer Shufflebotham from Coventry University’s Lanchester Library. She came with a pile of drawings sketches and goodies, and provided something very different from the usual.
Godiva Festival: July 8/9th 2017
W e had a presence at the Godiva Festival on the Saturday and the Sunday 8th and 9th July. A good display of pictures was put up, with some variations during each of the days. There were also flyers and invitations on the tables.
T he weekend was a great success and a number of our visitors promised to come along and joi our Wednesday sessions. It remains to be seen how many come along, but every one who does is one more to add to our numbers.
July 3rd 2017
W e had a visit from an artist new to the Guild for a critique night on our first Monday of the month session. Kate Wiltshire is a Warwckshire Artist who exhibits in Warwick and on the Warwickshire Art Trail. She brough a selection of her work along, and we were able to see that her Art covered a range of styles. She works in acrylic and pastel in the main, though uses other mediums as well.
June 5th 2017
F or our Monday session in June, we welcomed back Guild member, George Borg. As always he managed to intrigue us with his insight, and provide instruction to help in our artwork for the future.
H e showed us various possible formats that could provide an aesthetically pleasing balance to any composition.
W e have seen from his work that he researches his subjects thoroughly, and he commended the practice to us. We have also noted that when he works on his art he takes elements of it and produces seperate sketches to ensure a good final product. He suggested that such sketches should be part of our own methodology, noting that it was a demonstrable part of the working of many of the classical artists
April 3rd 2017
T he first Monday in March brought Nick LeMesuirier, a new visitor to the Guild, as a model. Nick is an experienced model and during the course of the evening gave us three different poses.
T he evening went all too quickly, as we worked on our sketches. Styles varied not only between the artists but also in some cases between different sketches from the same artist. The medium used varied too, from pencil, through charcoal to watercolour. Considering that the longest pose lasted around half an hour, the results must be considered to be good. If we had any doubt about this, Nick reviewd the work and praised the artists for the quality of the sketches produced.
T he question might well be asked whether it is still a life sketch, if a photogph is taken and the sketch worked from that. However when the ways in which the classic masters worked, using whatever technology that as available, there cannot be a problem.
February 6th 2017
T he first Monday session of 2017 was a sketching evening. The subject was concerned with the teaching methods of Leonardo Da Vinci. There were nine areas that he told his students that they should concentrate upon in order to improve their artistic abilities. A handout had been prepared summarising these and providing copies of some of his sketches and other pictures to illustrate the points.
D a Vinci's 9 instructions to his students.
- Draw Moving objects
- Copy from the Masters
- Understand Perspective
- Draw the Divine and the Grotesque
- Fix things in Your Mind Through Practice with Models
- Draw in the Company of Other Artists
- Practice Drawing Clothing and Drapery
- Draw from Multiple Angles
- Draw in your Mnds Eye
T wo issues were highlighted that were suitable for practice in the session. These concerned copying work from the master, and sketching both the beautiful and the grotesque. It was felt that by working on a subject which differed fom those that we normally chose to draw, we might gain some new experience.
E ach of the members present chose a different subject, and produced a sketch with pencil and/or charcoal. The results were very pleasing and the experience was apparently well received.